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contemporary figurative ceramic sculpture

Craft Ceramics

  In section 103 Session of China Import and Export Fair (Canton Fair) on, with rich cultural heritage and local features of the Germany-based fine ceramics has attracted the eye and from businessmen, white as white as snow, Caine dense thin, red porcelain red rich and gaudy , pure and honest and full, almost every piece of work are Xingshenjianbei, mouthwatering photo is breathtaking, precious ceramic craft boutique exudes a growing temptation.

Improvement of living standards and aesthetic taste of the changes in people’s attitudes toward technology showed great interest in pottery, craft pottery gradually become market “new favorite,” the problems the market can not be neglected.

In recent years, with domestic and international art market, gradually warming up, discerning collectors and investors will turn their attention to contemporary ceramic artists works of art. Because they know that a good work of art is subject to the production of multi-channel processes can be baked and a superior work of art, but also the skills to years of experience and artistic accomplishment is possible to complete. Value of Contemporary Ceramic Art collectors have also been gradually recognized, a number of the works of masters even more heavily bought by collectors.

    With the improvement of people’s living standards, social and daily life from the initial demand, the transition to the collection needs of the times. From the survival of the status request to request, from the economy requires to cultural requirements, technology ceramics market, gradually warming up, many ceramic artists from the embarrassment of the initial creation, creative levels are getting higher and higher, even ceramics for daily use are becoming increasingly technology-oriented, technology ceramics market potential is gradually being dug up.

  Craft ceramic pottery carries cultural heritage in China for thousands of years, but also laying the ground for Chinese ceramics in the international position in the international and domestic reputation, with the construction, decoration, collection development of the industries, technology class ceramic broad development prospects. However, reporters found that a single talent structure, and cultural heritage such as the protection and still become a bottleneck restricting their development.

In a ceramic for local pillar industries of Germany, ceramic industry employees increased dramatically, with traditional porcelain carving for 50 years in the state of the last century are only a few dozen factory apprentice, and now there are more than 1,000 people engaged in arts and porcelain production alone, the private sector there are more than 200 Ceramics Research Institute. Yet even so, the lack of qualified personnel is also become the biggest challenge facing the industry, civil society, “the division with believers, the parent tape,” the traditional teaching methods have also been hit. Faced with a number of traditional craft ceramic A lack of family situation, the younger generation running out of patience, it seems too strong ceramics have not shown interest. Some ceramic culture, the researchers held that the current technology in Germany, due to the pursuit of market efficiency, industrial machinery, to replace the hand-made, resulting in the degradation of the loss of traditional skills. At the same time, the entire ceramics industry has not formed attention to the protection of cultural awareness of ceramics and atmosphere.

It is worth mentioning that the Government was aware that some traditional craft is heading towards the brink of disappearing and need to be digging, sorting and rescue. Today, Germany has its own ceramic-based colleges, the college is considered Dehua porcelain hope for the future.

In fact, industrial development and cultural protection, there is no contradiction between the long run, it should be an organic unity, mutually reinforcing relationship, the key still lies in the attitude towards cultural awareness and how to enrich the cultural connotation of ceramics, making economy and culture go hand in hand into the ceramic, it will be the development of ceramic industry must break issue.

■ a collection of contemporary ceramics

It is understood that the early 90s, modern and contemporary ceramics mainly in the form of handicrafts for export trade, and more than that some overseas acquisition, modern and contemporary ceramics, especially Hong Kong, Singapore and Southeast Asia. Into the 21st century, the domestic collection of contemporary porcelain, mostly bought from overseas. Today, the collection of domestic market, increasing cash flow, collecting groups are also rapidly expanding.

2007 Beijing Hanhai autumn auction, modern and contemporary ceramics, sculpture Session in the form of art has been pushed to the auction, this “National Treasure – contemporary art” auction has achieved 81% of the turnover rate of 67 auction of the total turnover up to 19.057 million yuan, although this figure is not compared to other categories, but in the sense that it is an art direction, challenge the traditional collection inertia of thinking, 81% of the turnover rate to prove that it is successful. Guardian 2008 Spring Auction for the first time the opening of “Chinese Modern and Contemporary Ceramic Art” and “Contemporary Chinese Sculpture,” two Session, Dehua porcelain is also showing them the fine. Beijing Hanhai and China Guardian auction of these two established companies will be keen tentacles of modern and contemporary art, which shows their common cultural judgments. From the modern and contemporary ceramics, sculpture art itself, with the times, ideas and world-wide. Driven and the competitive market conditions, all will be to make these Chinese art has an extensive recognition.

Modern and Contemporary Ceramic Art from a practical basic concepts into a concept-oriented, artistic realm. Dehua porcelain visited the market, not difficult to find the form of traditional porcelain carving is no longer a single, bold and different shapes, reflecting characteristics of the times, recording the historical process, with the times, Dehua porcelain carving became a major feature of the work, they more to the concept of modern and contemporary art into the ceramic substrate to reflect, but in terms of ceramics, in addition to the performance modeling language, but also embodies the process and fire art. Art director, said Xu Shaodong rich red, are collections of contemporary art has become the darling of the market, which is China’s economic development and raising the level of traditional crafts are not unrelated.
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